🔗 Share this article Understanding Zohran Mamdani's Sartorial Statement: What His Suit Reveals About Contemporary Masculinity and a Changing Culture. Coming of age in London during the noughties, I was always surrounded by suits. You saw them on City financiers hurrying through the financial district. You could spot them on fathers in the city's great park, kicking footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a uniform of gravitas, projecting power and professionalism—traits I was expected to aspire to to become a "adult". Yet, before recently, my generation appeared to wear them infrequently, and they had all but disappeared from my mind. A social appearance by the mayor in late 2025. Then came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captivated the public's imagination like no other recent contender for city hall. But whether he was celebrating in a music venue or appearing at a film premiere, one thing remained mostly unchanged: he was frequently in a suit. Relaxed in fit, modern with soft shoulders, yet conventional, his is a quintessentially professional millennial suit—well, as typical as it can be for a cohort that rarely chooses to wear one. "This garment is in this weird place," notes style commentator Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip arriving in the 1990s alongside "the advent of business casual." "It's basically only worn in the most formal settings: weddings, funerals, and sometimes, legal proceedings," Guy states. "It's sort of like the kimono in Japan," in that it "essentially represents a custom that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should vote for me. I have authority.'" But while the suit has traditionally signaled this, today it enacts authority in the attempt of winning public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts masculinity, authority and even closeness to power. This analysis stayed with me. On the rare occasions I require a suit—for a ceremony or formal occasion—I dust off the one I bought from a Tokyo retailer several years ago. When I first picked it up, it made me feel sophisticated and expensive, but its slim cut now feels passé. I imagine this feeling will be only too familiar for numerous people in the global community whose parents come from somewhere else, especially developing countries. Richard Gere in the film *American Gigolo* (1980). It's no surprise, the everyday suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. Yet the appeal, at least in certain circles, persists: in the past year, major retailers report suit sales increasing more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something exceptional." The Politics of a Accessible Suit Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a product of his background," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his moderately-priced suit will appeal to the demographic most inclined to support him: people in their 30s and 40s, university-educated earning professional incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly don't contradict his stated policies—which include a capping rents, building affordable homes, and free public buses. "You could never imagine a former president wearing Suitsupply; he's a Brioni person," observes Guy. "He's extremely wealthy and grew up in that New York real-estate world. A status symbol fits naturally with that elite, just as attainable brands fit naturally with Mamdani's cohort." A former U.S. president in a notable tan suit in 2014. The legacy of suits in politics is extensive and rich: from a former president's "controversial" tan suit to other world leaders and their notably polished, custom-fit sheen. As one UK leader learned, the suit doesn't just dress the politician; it has the potential to define them. The Act of Normality and A Shield Perhaps the point is what one academic calls the "performance of banality", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a studied understatement, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. But, experts think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't neutral; scholars have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, particularly to those who might doubt it. This kind of sartorial "code-switching" is hardly a recent phenomenon. Indeed iconic figures previously wore formal Western attire during their early years. Currently, certain world leaders have started exchanging their usual fatigues for a black suit, albeit one without the tie. "Throughout the fabric of Mamdani's image, the struggle between belonging and otherness is apparent." The suit Mamdani selects is highly symbolic. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under scrutiny to meet what many American voters expect as a sign of leadership," notes one author, while at the same time needing to navigate carefully by "not looking like an elitist betraying his non-mainstream roots and values." A contemporary example of political dress codes. Yet there is an acute awareness of the double standards applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, able to assume different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and clothing styles is common," commentators note. "White males can remain unnoticed," but when others "seek to gain the power that suits represent," they must carefully negotiate the codes associated with them. In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, appearance is not neutral.